Central to the exhibition is a series of single-shot films that use a variety of generative AI and digital processes, crafted from archival photographs sourced from the Papers of Cecil Rhodes at the Bodleian Library, University of Oxford. Photography was an essential technology of imperial communication and a space of trespass and refusal, where subjects challenged the present and intent of colonial place-making.
The photographs in the exhibition provide a visual vocabulary of the “environment” of Rhodes and his legacy – from his origins in Hackney, East London to the diamond fields of South Africa – and provide a “portal” for critically engaging with the extractive logics of AI. The resulting works offer new narratives by exposing the gaps in large language models (LLMs) and the structural racial logics of universal norms.
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Unthinking Photography for an extension of the project.